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Material de estudio
Películas y lecturas
(PDF)
Shakespeare en la pantalla:
lista comentada (PDF)
MIDSUMMER
NIGHT'S DREAM
Filmografía principal
Max Reinhardt/William Dieterle
(1935). VHS, disco láser
Peter Hall, (1969). VHS
Michael Hoffman (1999). VHS, DVD
Filmografía relacionada
Peter Weir, Dead Poets' Society
(1989)
Adrian Noble, Midsummer Night's Dream (1996)
Christine Edzard, Children's Midsummer Night's Dream
(2001)
Crítica
Peter S. Donaldson, "Two of
Both Kinds: Marriage and Modernism"
en in Peter Hall's A Midsummer Night's Dream"
MS, de próxima aparición en Reel Shakespeare,
eds. Courtney Lehmann y Lisa Starks.
*Northrop Frye, " The Argument
of Comedy". English Institute Essays, 1948
(New York: Columbia University Press, 1949), págs.
58-73; reimp. en Shakespeare: Modern Essays in Criticism
(New York: Oxford University Press, 1967 [1957]), págs.
80-89.
Werner Habicht, "Shakespeare
and the German Imagination," en Heather Kerr, Robin
Eaden, Madge Mitton, eds., Shakespeare: World Views
(Newark, DE, 1996), págs. 87-101.
Diana Harris, "The Diva and
the Donkey": Hoffman's
Use of Opera en A Midsummer Night's Dream, MS.
Russell Jackson, "A Shooting
Script for the Reinhardt-Dieterle Dream: the War with
the Amazons, Bottom's Wife, and other Missing 'Scenes,'"
Shakespeare Bulletin 16/4 (Fall, 1998), 19-41.
*Philip C. McGuire, "Hippolyta's
Silence and the Poet's Pen", en Speechless Dialect
(Berkeley: University of California Press, 1988), págs.
1-18.
Louis Montrose, "A Midsummer
Night's Dream and the Shaping Fatasies of Elizabethan
Culture: Gender, Power, Form", en "Rewriting
the Renaissance".
The Discourses of Sexual Difference
in Early Modern Europe, ed. Margaret Ferguson, Maureen
Quilligan y Nancy Vickers. Chicago and London:
The University of Chicago Press, 1986, págs.
65-87.
Robert Willson, "'I'll met
by moonlight': Reinhardt's A Midsummer Night's Dream
and Musical Screwball Comedy", Journal of Popular
Film 5 (1976) 185-97.
(Inicio)
HENRY IV, PTS. 1 AND 2; HENRY
V
Filmografía principal
Laurence Olivier, Henry V
(1944). VHS, disco láser, DVD
Kenneth Branagh, Henry V (1989). VHS, disco láser,
DVD
Gus Van Sant, My Own Private Idaho (1991). VHS,
disco láser
Filmografía relacionada
David Giles, Henry IV, Pt. 1;
Henry IV, Pt. 2; Henry V [The
Shakespeare plays, BBC TV]. (1979)
Orson Welles: Chimes at Midnight (1966). VHS
Crítica
*Dudley Andrew, Film in the
Aura of Art, cap. 8: "Realism, Rheotric and
the Painting of History in Henry V".
(Princeton: Princeton University Press, 1984).
Samuel Crowl, "The Long Goodbye,
Welles and Falstaff", Shakespeare Quarterly.
31 (1980), 369-80; reimp. en Crowl, Shakespeare Observed".
Studies in Performance on Stage and Screen (Athens,
OH: Ohio University Press, 1992), págs. 35-50.
*Peter S. Donaldson, 'Claiming
from the Female: Gender and Representation in Laurence
Olivier's Henry V" en Shakespearean Films/Shakespearean
Directors (Boston: Unwin and Hyman, 1990),
págs. 1-30.
Stephen J. Greenblatt, "Invisible
Bullets", cap. 2 en
Shakespearean Negotiations (Berkeley: University
of California Press, 1988),
cap. 2, págs. 21-65.
Russell Jackson,
"Two Films of Henry V: Frames and Stories",
Collection Astraea,
No.4: The Show Within: Dramatic and Other Insets. English
Renaissance Drama (1550-1642) (Proceedings of the International
Conference held in Montpellier, 22-25 Novembre [sic],
1990,ed. Francois (François) Laroque (Montpellier:
Université Paul-Valery-Montpellier III: Centre
d'Etudes et de Recherches Elisabethaines, 1991?), págs.
181-197.
Bridget Gellert
Lyons, ed., Chimes at Midnight (New Brunswick
NJ and London, 1988).
Kenneth S. Rothwell, A History
of Shakespeare on Screen: A Century of Film and Television.
Cambridge: Cambridge University Press, 1999,
págs. 84-94. [On Chimes at MidnightI].
Susan Wiseman, "The Family
Tree Motel: Subliming Shakespeare in My Own Private
Idaho, en Lynda E. Boose and Richard Burt, eds.,
Shakespeare the Movie: Popularizing the Plays
on Film, TV and Video
(New York y London: Routledge, 1997), págs. 225-239.
(Inicio)
TAMING OF THE SHREW
Filmografía principal
Franco Zeffirelli, Taming of
the Shrew (1967), VHS, disco láser, DVD
Gil Junger, 10 Things I Hate About You (1999),
VHS, DVD
Filmografía relacionada
Sam Fuller, Taming of the Shrew
(1929)
Amy Heckerling, Clueless (1999)
Crítica
*Burt, Richard, "Afterword:
Te(e)n Things I Hate about Girlene Shakesploitation
Flicks in the Late 1990s, or Not-So-Fast Times at Shakespeare
High" en Lehmann, Courtney, y Lisa S. Starks, eds.,
Spectacular Shakespeare: Critical Theory and Popular
Cinema (Madison, N.J.: Fairleigh Dickinson University
Press and London: Associated University Presses, 2002),
págs. 205-232.
Barbara Hodgdon, "Katherina
Bound; or, Play(K)ating the Strictures of Everyday Life",
en Robert Shaughnessy, ed., Shakespeare on Film:
Contemporary Critical Essays (Houndsmills, Basingstoke,
Hamphire: MacMillan and London: Macmillan and New York:
St. Martin's Press, 1998), págs. 156-172.
Lynda Boose, "Scolding Brides
and Bridling Scolds: Taming the Woman's Unruly member",
Shakespeare Quarterly 42.2
(Summer, 1991), págs. 179-213.
*Diana E. Henderson, "A Shrew
for the Times", en Lynda E. Boose y Richard Burt,
eds., Shakespeare the Movie: Popularizing the plays
on Film, TV and Video (New York and London: Routledge,
1997), págs. 148-168.
(Inicio)
ROMEO AND
JULIET
Filmografía principal
Franco Zeffirelli, Romeo and
Juliet (1968)
Baz Luhrmann, William Shakespeare's Romeo + Juliet
(1996)
John Madden, Shakespeare in Love (1998)
Filmografía relacionada
George Cukor, Romeo and Juliet
(1936)
Renato Castellani, Romeo and Juliet (1954)
Robert Wise, West Side Story (1961)
Crítica
Katherine Dalsimer, Female Adolescence
(New Haven and London: Yale University Press, 1986).
Peter S. Donaldson, "'Let
Lips do what hands do': Male Bonding, Eros and Loss
in Zeffirelli's Romeo and Juliet", en
Shakespearean Films/Shakespearean Directors (Boston:
Unwin and Hyman, 1990), págs. 145-188.
* _______, “’In Fair
Verona:’ Media, Spectacle and Performance in Romeo
+ Juliet” en Richard Burt, ed. Shakespeare
after Mass Media. (New York: Palgrave, 2002), págs.
59-82.
Hodgdon, Barbara. 1999. "William
Shakespeare's Romeo + Juliet: Everything's Nice
in America?".
Shakespeare Survey 52, 88-98.
Courtney Lehmann, "Shakespeare
in Love: Romancing the Author, Mastering the Body",
en Spectacular Shakespeare: Critical Theory and Popular
Cinema (Madison, N.J.: Fairleigh Dickinson University
Press and London: Associated University Presses, 2002),
págs. 125-148.
Edward Snow, "Language and
Sexual Difference in Romeo and Juliet",
en Shakespeare's 'Rough Magic": Essays in Honor
of C.L. Barbe, ed. Peter Erickson y Coppelia Kahn.
(Newark: University of Delaware Press, 1985), págs.
168-192.
(Inicio)
HAMLET
Filmografía principal
Laurence Olivier, Hamlet
(1948)
Michael Almereyda, Hamlet (2000)
Filmografía relacionada
Svend Gade, Hamlet (1920)
John Gielgud, Hamlet (1964) [La versión
"electronovisión" de la producción
escénica de 1964]
Grigorii Kozintsev, Hamlet (1964)
Tony Richardson, Hamlet (1969)
Ragnar Lyth, Hamlet (1982)
Franco Zeffirelli, Hamlet (1990)
Kenneth Branagh, Hamlet (1996)
Crítica
Janet Adelman, "Hamlet
and the Confrontation with the Maternal Body",
págs. 241-82 en Hamlet (Boston: St. Martin's,
1994).
Felix Barker, The Tremulous
Private Body (Ann Arbor: University of Michigan
Press, 1995 [1984]; cap. "On Hamlet".
Stephen Greenblatt, Hamlet in
Purgatory (Princeton: Princeton University press,
2001).
Ernest Jones, Hamlet and Oedipus
(London: Victor Gollacz, 1949).
G. Wilson Knight, "The Embassy
of Death", en The Wheel of Fire (London:
Methuen, 1930, reimp. 1954).
Courtney Lehmann, "The Machine
in the Ghost: Hamlet's Cinematographic Kingdom",
cap. 3 en Shakespeare Remains (Ithaca: Cornell
University Press, 2002), págs. 89-129.
Robert Weimann, "Performance
and Authority in Hamlet (1603)", págs. 52-63
en Donald Hedrick y Bryan Reynolds, eds., Shakespeare
without Class: Misappropriations of Cultural Capital
(New York: Palgrave, 2000).
(Inicio)
RICHARD
III
Filmografía principal
Richard Loncraine, Richard III
(1996)
Al Pacino, Looking for Richard (1996)
Filmografía relacionada
Laurence Olivier, Richard III
(1953)
Crítica
Herbert Coursen, "Filming
Shakespeare's History: Three Films of Richard III",
en The Cambridge Companion to Shakespeare
on Film, ed. Russell Jackson (Cambridge: Cambridge
UP, 2000), págs. 97-115.
*Peter S. Donaldson, "Cinema
and the Kingdom of Death: Loncraine's Richard III",
MS (de próxima aparición en Shakespeare
Quarterly).
Barbara Freedman, “Critical
Junctures in Shakespeare Film History; The Case of Richard
III”, en The Cambridge Companion to Shakespeare
on Film, ed Russell Jackson (Cambridge: Cambridge
UP, 2000), págs.
65-66.
Barbara Hodgdon, “Replicating
Richard: Body Doubles, Body Politics,” Theatre
Journal 50 (May, 1998).
(Inicio)
TITUS ANDRONICUS
Filmografía principal
Julie Taymor, Titus (1999)
Filmografía relacionada
Jane Howell, Titus Andronicus
(1985)
Crítica
*Richard Burt, "Shakespeare
and the Holocaust: Julie Taymor's Titus is Beautiful,
or Shakesploi Meets (the) Camp",
en Richard Burt, ed., Shakespeare after Mass
Media (New York: Palgrave, 2002). págs. 295-330.
(Inicio)
KING LEAR
Filmografía principal
Michael Elliott, King Lear
(1984)
Jean-Luc Godard King Lear (1987)
Filmografía relacionada
Grigorii Kozintsev, King Lear
(1970)
Peter Brook, King Lear (1971)
Akira Kurosawa, Ran (1985)
Crítica
Thomas Clayton, "'Is this
the promis'd end?' Revision in the Role of the King",
en The Division of the Kingdoms" Shakespeares
Two Versions of King Lear, eds. Gary Taylor y Michael
J. Warren (Oxford, 1983), págs. 121-141.
Peter S. Donaldson, "Disseminating
Shakespeare: Paternity and text in Jean-Luc Godard's
King Lear"
, en Shakespearean Films/Shakespearean Directors
(Boston: Unwin and Hyman, 1990), págs. 189-225.
Michael Warren, "Preface",
The Complete King Lear, 1608-1623 (Berkeley :
University of California Press, 1989).
(Inicio)
THE TEMPEST
Filmografía principal
Paul Mazursky, Tempest (1982)
Peter Greenaway, Prospero's Books (1991)
Filmografía relacionada
Derek Jarman, The Tempest (1979)
Fred M. Wilcox, Forbidden Planet (1956)
Crítica
Francis
Barker y Peter Hume, "'Nymphs and reapers heavily
vanish': The Discursive Con-Texts of The Tempest",
en John Drakakis, ed., Alternative Shakespeares
( London and New York: Methuean, 1985).
Paul Brown, "'This thing of
darkness I acknowledge mine': The Tempest and the
Discourse of Colonialism" en Jonathan Dollimore
y Alan Sinfield, eds. Political Shakespeare: new
essays in Cultural materialism (Manchester: Manchester
University Press, 1985), págs. 48-71.
Douglas Bruster, "The Postmodern
Theater of Paul Mazursky's Tempest",
en Mark Thornton Burnett y Ramona Wray, eds.,
Shakespeare Fin de Siecle (Houndsmills, Basingstoke,
Hamphire: MacMillan and London: Macmillan and New York:
St, Martin's Press), págs. 26-39.
Peter S. Donaldson, "Shakespeare
in the Age of Mechanical Reproduction: Sexual and Electronic
Magic in Prospero's Books",
en Lynda E. Boose y Richard Burt, eds., Shakespeare
the Movie: Popularizing the plays on Film, TV and Video
(New York and London: Routledge, 1997), págs.
169-185.
_____, Digital Archives and
Sibylline Fragments: The Tempest and the End
of Books", Postmodern Culture 8.2 (Jan.,
1998). Publicación especial sobre películas/
filmografía. Diario electrónico en http://muse.jhu.edu/journals/postmodern_culture/
y en http://shea.mit.edu/eob.
Mary Fuller, "Forgetting the Aeneid,"
American Literary History (Summer, 1992),
págs. 517-38.
Stephen J. Greenblatt, "Learning
to Curse: Aspects of Linguistic Colonialism in the 16th
Century", en Fredi Chapelli,
ed. First images of America: The Impact of the New
World in the Old (Berkeley: University of California
Press, 1976), págs.
561-580; repr. en Stephen J. Greenblatt, Learning
to Curse (London: Routledge, 1990), págs.
16-39.
Douglas Lanier, "Drowning
the Book: Prospero's Books and the Textual Shakespeare,"
en James C. Bulman, ed., Shakespeare, Theory and
Performance (New York and London: Routledge, 1996),
págs. 187-209.
Ottavo Mannoni, Prospero and
Caliban: The Psychology of Colonialism, tr. Pamela
Powesland (New York: Praeger, 1964 [1950]).
Alden T. Vaughan y Virginia Mason
Brown, Shakespeare's Caliban: A Cultural history
(Cambridge: Cambridge University Press, 1990).
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